Book review: Game for Anything - Gideon Haigh

If Bill Simmons is the everyman sportswriter full of pop culture, in-jokes and homer-isms, then Gideon Haigh is his antithesis. You read Simmons as he thinks aloud, a man down at the bar with his mates. However, he's just self-aware enough to know that because he monopolises the conversation he should fling jokes about to keep his audience engaged. There's obvious research, but done on the sly; he's no stat-geek, but muses on feel and zeitgeist.

Haigh, deliberately and with culture incomparable, compiles cricketing words that evokes a history professor's magnum opus. Immaculate research, mirrored by thoughtful prose. Simmons' raison d'etre is entertaining learning. For Haigh, it is the reverse. And they're both brilliant.

Cover image courtesy: tower.com

Haigh's compendious “Game for Anything” released in Australia his collected writings for publications such as Wisden Asia and the now-defunct periodicals The Bulletin and Wisden Cricket Monthly. It features several learned insights into periods of the game about which I, a studious and informed cricket fan, knew very little. Each essay is structured magnificently, being economical yet descriptive; each word is steeped in context. That he quotes an assortment of historical figures from Jardine Machiavelli to Mark Waugh exemplifies his remarkable reading range.

In fact the stand-out point of Haigh's work is just that – his research. Articles are based not around his palpable love of the game, it's correct spirit and statutes; his writing is revolves around a prescient “angle” and why it emerges as such a story from a multi-textured background.

There are elements of whimsy as well: he defines his favourite cricketer as the English batsman Chris Tavare, decries the rise of park cricket sledging and, most beautifully of all, develops delicate snapshots of cricket history. These short trips are, unlike the footage that comprises most of our memories, full-colour and high-definition – he makes Bradman more than ridiculous numbers and grainy footage of a fourth-ball duck.

Perhaps what's most remarkable about his text is how easily he makes just the right words fit together on paper. Despite obvious labour over books, newspapers, journals and microfiche, Haigh's words appear with economic precision – as if he has the most severe of editors. When writing for a mass audience using such a scholarly approach, Haigh is to be praised and respected for balancing intellect with ease of reading. Characters like Lawrence Rowe, Richard Wardill and characteristics such as gambling are all treated with the same laconic, precise respect. A memorable example was my favourite essay from Game for Anything, concerning the late-19^th century Australian captain Harry Trott and his commitment to Kew Asylum.

If you learn about politics from a book by a political master, you learn about cricket from Haigh – far more than from any other writer today. His words lack Roebuck's flair but also his occasional florid tones. He analyses the game from a removed, scholarly position; writing not because he loves the game (although he does) but because he feels it has stories to tell. In the prologue, he encourages young writers to do likewise.  

It's so utterly characteristic of Haigh - a book of cricket essays where his opinions are so subtly obvious yet with only this one proclamation.  Highly recommended.

For a different perspective, the SMH also reviewed this work.

My Favourite Cricketer: Chris Tavare by Gideon Haigh

In our continuing series My Favourite Cricketer, we invite cricket writers and bloggers to pay tribute to the players they remember most fondly.  This week respected journalist Gideon Haigh encouraged us to post the following excerpt by way of his entry.

Some years ago, I adjourned with a friend to a nearby schoolyard net for a recreational hit. On the way, we exchanged philosophies of cricket, and a few personal partialities. What, my friend asked, did I consider my favourite shot? ‘Easy,’ I replied ingenuously. ‘Back foot defensive stroke.’

My friend did a double take and demanded a serious response. When I informed him he’d had one, he scoffed: ‘You’ll be telling me that Chris Tavare’s your favourite player next.’ My guilty hesitation gave me away. ‘You poms!’ he protested. ‘You all stick together!’

Twenty years since his only tour here, mention of Tavare still occasions winces and groans. Despite its continental lilt, his name translates into Australian as a very British brand of obduracy, that Trevor Baileyesque quality of making every ditch a last one. He’s an unconventional adoption as a favourite cricketer, I’ll admit – yet all the more reason to make him a personal choice.

Tavare played thirty Tests for England between 1980 and 1984, adding a final cap five years later. He filled for much of that period the role of opening batsman, even though the bulk of his first-class career was spent at number three and four. He was, in that sense, a typical selection in a period of chronic English indecision and improvisation, filling a hole rather than commanding a place. But he tried – how he tried. Ranji once spoke of players who ‘went grey in the service of the game’; Tavare, slim, round-shouldered, with a feint moustache, looked careworn and world-weary from the moment he graduated to international cricket.

In his second Test, he existed almost five hours for 42; in his third, his 69 and 78 spanned twelve hours. At the other end for not quite an hour and a half of the last was Ian Botham, who ransacked 118 while Tavare pickpocketed 28. As an ersatz opening batsman, he did not so much score runs as smuggle them out by stealth. In the Chennai Test at the start of 1982, he eked out 35 in nearly a day; in the Perth Test at the end of 1982, he endured almost eight hours for 89.  At one stage of the latter innings, he did not score for more than an hour. Watching on my television in the east of Australia, I was simultaneously aching for his next run and spellbound by Tavare’s trance-like absorption in his task. First came his pad, gingerly, hesitantly; then came the bat, laid alongside it, almost as furtively; with the completion of each prod would commence a circular perambulation to leg to marshal his thoughts and his strength for the next challenge.

That tour, I learned later, had been a peculiarly tough one for Tavare. An uxorious man, he had brought to Australia his wife Vanessa, despite her phobia about flying. Captain Bob Willis, his captain, wrote in his diary: ‘He clearly lives every moment with her on a plane and comes off the flight exhausted. Add to that the fact that he finds Test cricket a great mental strain and his state of mind can be readily imagined.’ You didn’t have to imagine it; you could watch him bat it out of his system.

Tavare could probably have done with a psychiatrist that summer; so could I. Our parallels were obvious in a cricket sense: I was a dour opening batsman, willing enough, but who also thought longingly of the freedoms available down the list. But I – born in England, growing up in Australia, and destined to not feel quite at home in either place – also felt a curious personal kinship. I saw us both as aliens – maligned, misunderstood – doing our best in a harsh and sometimes hostile environment. The disdain my peers expressed for ‘the boring Pommie’ only toughened my alleigiance; it hardened to unbreakability after his 89 in Melbourne.

Batting, for once, in his accustomed slot at number three, Tavare took his usual session to get settled, but then after lunch opened out boldly. He manhandled Bruce Yardley, who’d hitherto bowled his off -breaks with impunity. He coolly asserted himself against the pace bowlers who’d elsewhere given him such hurry. I’ve often hoped for cricketers, though never with such intensity as that day, and never afterwards have felt so validated. Even his failure to reach a hundred was somehow right: life, I was learning, never quite delivered all the goods. But occasionally – just occasionally – it offered something to keep you interested.

You can find Gideon Haigh's books on Amazon.

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