Many teams
have improved themselves this transfer window.
There have been short-term additions like Sporting KC forward Kei
Kamara’s six-month audition with Norwich City, bargains,
as well as deals with a view to a long term future (see Zaha,
Wilfried and Shea,
Brek).
There has
even been the odd case of addition by subtraction.
The most prominent
deal of this type involves Mario Balotelli.
His two-plus years playing for Manchester City had exhausted his
employers and yesterday he was sent
to the red side of Milan for a fee approximating £17 million.
That such a
talent as Balotelli was released by City without argument is a sign of the
disdain in which he is held at the Etihad campus. The negatives finally outweighed the positives,
with the final straw perhaps coming four weeks ago as the temperamental forward
became
involved in a physical altercation with coach – and his most prominent backer
– Roberto Mancini.
While the
deal may help the City dressing room coalesce and focus on overhauling
crosstown rivals Manchester United, it also rids the club of their most gifted
player. With Balotelli, there are no
absolutes – he every statement about him must be accompanied by a “but”, an “if”
or a “when”.
Mario
Balotelli is a player with a presence so large that you can’t judge anything
he does from only one angle. He is a
colourful, 3D character in a world that paint its characters like Steamboat
Willy. This might be his greatest hurdle
in keeping popular sentiment positive: football media often portrays its
subjects in unforgiving black and white.
He is the
most talented Italian striker to emerge since Antonio Cassano (at least) and also
a man who exemplifies persistent problems with authority. He’s a genius, and a madman. A word or a sentence isn’t enough to articulate
the truth of Mario Balotelli.
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